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Work · Vibe Coders PH

Films, worlds, and the machines that make them.

Vibe Coders PH makes things and shows the working. Below is what we are building with AI right now, from security-camera horror and folklore reels to browser worlds and the automation that publishes it all.

Series

Recurring shows, one script at a time.

Each series has its own cast, look and voice. The writing and the pipeline are part of the work.

  • 01

    PATAY GUTOM

    Security-camera horror at real Philippine places. Every shot is somebody's screen: a mall's CCTV, a control room, a phone live. The dead are drawn to red light, a bite turns in seconds, and every episode leaves one thing unexplained. It began as film five of the what-if series and became its own serial.

    HorrorSeriesCode-rendered
    Watch part one
  • 02

    Claude Kami

    A code-only 3D sitcom in Taglish. Buloy and Claude argue about building at a sari-sari store, and every episode is a script: sets, camera, voices and sound are generated, never filmed.

    3DComedyTaglish
  • 03

    Pinoy Lore

    Filipino folklore, one creature per episode. The creature is researched and locked before a frame is made, then the story is rendered straight to a vertical reel with one narrator and no talking heads.

    FolkloreHorrorResearch
  • 04

    Zaiya

    A character-led short-form series: a 24-year-old Filipina-Chinese woman in luxury streetwear, running her life with three holographic AI agents. Every episode is an ordinary Manila situation with one piece of AI or tech hidden inside it.

    CharacterFashionSeries

Films

Longer pieces, different machinery.

Shorts, explainers, animation and simulations. Each one picks the technique the story needs, then finishes the film.

  • 05

    Sasabayan Kita

    A Christmas short built in Blender and scored in Python. A small robot practices Silent Night at a church keyboard, a tilapia cat hits the wrong note, and the robot changes the song so the mistake belongs. The set, the props and the music are all code.

    BlenderShortMusic
  • 06

    Paper-cutout explainers

    Narrated explainers staged like a puppet theatre: paper characters, word-synced visual beats, and a finished voiced film rather than a slideshow.

    ExplainerNarrated
  • 07

    Marble Run Films

    Code-drawn marble runs, one marble and one story. Every spoken line becomes part of the machine, narrated in a cloned voice. The latest cut is in review.

    AnimationVoice cloneCode-drawn
  • 08

    What-if simulations

    A question turned into a code-rendered simulation: a city, a crowd, a counter, with sourced numbers and no talking heads. The format that started the film engine.

    SimulationData
    Watch the WFH film

Worlds

Places you can move through.

Interactive 3D built from open data, so the history can be checked and not just admired.

  • 09

    Intramuros, Then and Now

    Walkable browser 3D of Intramuros today and around 1895, built from open data, with every building carried with its source.

    3DOpen dataHistory

Engines

The part nobody films.

The automation behind the output: research, review, scheduling and the read-back that proves a post actually went out.

  • 10

    Daily post engine

    Research, draft, fact-check, blind review, publish. One editorial post a day, on a schedule, with the reviewer's lessons feeding back into the next run.

    AutomationEditorial
  • 11

    Events Brain

    The events platform behind the service, not a one-off site: registration and personal tickets, a phone scanner at the door, animated certificates, credentialing, awards and sponsorship.

    AutomationEventsProduct
    See it live on Takits
  • 12

    Publish rail

    One queue that schedules across channels, keeps a per-channel gap so accounts never double-post, and reads every send back as confirmation.

    AutomationPublishing

Watch

The work lands first on TikTok, Facebook and Instagram.

Most of it ships vertical for the feed, with a longer cut where the story needs one. The community gallery and the blog cover how it was made.